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	<title>Warm Evenings</title>
	<link>http://www.warmevenings.com</link>
	<description>Have brain, will travel</description>
	<lastBuildDate>Fri, 03 Feb 2012 17:48:27 +0000</lastBuildDate>
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	<item>
		<title>Extremely Loud &amp; Incredibly Close</title>
		<description><![CDATA[From the outset, death is an indelible, omnipresent character in “Extremely Loud and Incredibly Close”  — a silent supporting actor that both propels the movie forward and charges it with a current of tangible urgency.  An urgency that was never truly capitalized by the filmmakers.  ]]></description>
		<link>http://www.warmevenings.com/2012/02/extremely-loud-incredibly-close/</link>
			</item>
	<item>
		<title>Haywire</title>
		<description><![CDATA[“Haywire” is one long fluttering loose end.]]></description>
		<link>http://www.warmevenings.com/2012/02/haywire/</link>
			</item>
	<item>
		<title>Contraband</title>
		<description><![CDATA[Contraband doesn't worry itself with build up or rising action. It jumps right into the thick of things. It's third base with out a dinner date.  I wish that was a compliment.]]></description>
		<link>http://www.warmevenings.com/2012/01/contraband/</link>
			</item>
	<item>
		<title>Tinker, Tailor, Soldier, Spy</title>
		<description><![CDATA[I have a serious penchant for the work of John le Carre.  I honestly expected to be disappointed with the latest cinematic adaptation of his classic novel.  I was not disappointed.  And I'm glad for that.]]></description>
		<link>http://www.warmevenings.com/2012/01/tinker-tailor-soldier-spy/</link>
			</item>
	<item>
		<title>War Horse</title>
		<description><![CDATA[Why shouldn't one see War Horse?  In the words of Barry from High Fidelity, "it's sentimental tacky crap, that's why."]]></description>
		<link>http://www.warmevenings.com/2012/01/war-horse/</link>
			</item>
	<item>
		<title>2011 Bottom Feeders</title>
		<description><![CDATA[If you bought a ticket to any of these 2011 movies and didn't regret your decision, you're either above the global economic woes or have serious cranial issues.  Maybe both]]></description>
		<link>http://www.warmevenings.com/2012/01/201-bottom-feeders/</link>
			</item>
	<item>
		<title>Magnificent Seven of Twenty Eleven</title>
		<description><![CDATA[The cream of my 2011 cinematic crop is live.  Jonah Hill was not involved.]]></description>
		<link>http://www.warmevenings.com/2012/01/magnificent-seven-of-twenty-eleven/</link>
			</item>
	<item>
		<title>Weekender</title>
		<description><![CDATA[From Caravaggio to rooftop bars.  DFW is always full of lovely surprises.]]></description>
		<link>http://www.warmevenings.com/2011/12/weekender/</link>
			</item>
	<item>
		<title>The Girl with the Dragon Tattoo</title>
		<description><![CDATA[It's a full-throttle exploration of the darkness lurking in plain sight.]]></description>
		<link>http://www.warmevenings.com/2011/12/the-girl-with-the-dragon-tattoo/</link>
			</item>
	<item>
		<title>Sherlock Holmes: A Game of Shadows</title>
		<description><![CDATA[The much improved narrative sets A Game of Shadows apart from the first iteration of Guy Ritchie's Sherlock Holmes series.]]></description>
		<link>http://www.warmevenings.com/2011/12/sherlock-holmes-a-game-of-shadows/</link>
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